超越媒界景觀：監視、遠端感測與數位控制，從法洛奇談起－易術碎碎唸，郭昭蘭Jau-lan Guo

1206enews01

活動連結：http://www.tfam.museum/Event/Event_page.aspx?ddlLang=zh-tw&id=2209

演講資料

題目：超越媒界景觀：監視、遠端感測與數位控制，從法洛奇談起

Beyond Mediascape: Surveillance, Remote Sensing, Digital Control and the Films of Farocki

講者：郭昭蘭（北藝大新媒系與藝跨所兼任副教授）

2014年12月6日14:30—17:00

影像如何思考影像，新媒體又可以如何反思媒體？關於影像，最近大家常談的是電腦生成影像技術高度的擴張、網路遊戲、監視影像、遠距武器、自動機器，這正好就是德國電影導演法洛奇(Harun Faroki)作品所關注的重要面向。法洛奇經歷了1970年代Red Army Faction行動的衝擊，雖然很明顯受到反文化政治的影響，但是他的顛覆策略主要是透過對影像製造的政治與技術上的解離。本演講將從Farocki的作品出發，延伸到Gerrard、Magid、Paglen等以研究為導向、致力將影像與權力結構認識論化的相關藝術實踐，探索藝術家如何透過影像與媒體化影像的製造，反思影像—媒體—軍事—日常之間動態、矛盾、不對稱（unsymmetrical）的關係。

參考書目

l Brianne Cohen: Contested Collectivities-Europe Reimagined by Contemporary Artists Reimaged by Contemporary Artist, Ph.D. dissertation, the Kenneth P. Dietrich School of Arts and Science , University of Pittsuburg, 2012

l Antje Ehmann and Ralf Beil ed.,: Serious Games: War-Media-Art, 2011, Hatje Cantz Verlag.

l Thomas Elaesser ed,.: Harun Farocki, Working on the Sight-Line, Amsterdam, Amsterdam University Press, 2004.

l John Gerrard, Linda Norden and Jasper Sharp: John Gerrard: Animated Scene; [the 53^rd International Art Exhibtion, La Biennial Di Venezia, June 7-September 30, 2009, Isola Di Certosa, Venice].Edited by Jasper Sharp. Wein: Schlebrugge, 2009.

l Boris Groys: Art Power, New York, MIT, 2007

l Thomas Y Levin, Ursula Frohne, and Peter Weibel. ed.: Ctrl[Space]: Rhetorics of Surveillance from Bentham to Big Brother, Karlsruhe, Germany: ZKM Center for Art and Media, 2002.

l Sarah Loyer: Surveillance Surveyed-The Effects of Remote Sensing Technologies On Perception Through The Films Of Harun Farocki, thesis for Master of Public Art Studies, The USC Roski School of Fine Arts, University of Southern University, 2012.

l Jill Magid 網站 http://www.jillmagid.net/

l Trevor Paglen 網站 http://www.paglen.com/

l Michele Theriault .ed: Harun Farocki-One Image Doesn’t Take The Place Of The Previous One,

l Paul Virilio: War and Cinema-The Logistics of Perception, New York, Verso. 1989.

圖錄

1	Historic Archival Stock Footage Deportation Of Jews - Death Train To Auschwitz 1943
2	Videograms of a Revolution 1993
3	Harun Farocki still from Nicht Löschbares Feuer [Inextinguishable Fire], 1969 video (black and white, sound)
4	Harun Farocki Eye/Machine I 2001
5	Harun Farocki Eye/Machine II 2002
6	Harun Farocki still from Immersion, 2009 2-channel video installation, color sound 20 minutes
7	Serious Games I Watson is down, 2010 2 channel Color,Sound, 8 min
8	Serious games II Three Dead 2010 Single channel Color, Sound, 8 min
9	Serious Games III Immersion 2009 2 channel Color, Sound, 20 min
10	John Gerrard Watchful Portrait 2004 2 real-time 3D portraits Custom software Game engine 2display devices Shelf 2PCs
11	John Gerrard Dust Storm (Dalhart, Texas) 2007 Simulation courtesy the artistand Thomas Dane Gallery
12	John Gerrard Animated Scene (Oil Field) 2007 simulation courtesy the artistand Thomas Dane Gallery
13	John Gerrard Grow Finish Unit (near Elkhart, Kansas) 2008 simulation; courtesy the artist and Thomas Dane Gallery
14	John Gerrard Oil Stick Work (Angelo Martinez/Richfield, Kansas) 2008 courtesy the artist and Thomas Dane Gallery
15	John Gerrard Exercise: Djibouti 2012 Simulation courtesy the artist and Thomas Dane Gallery
16	John Gerrard Cuban School (Sancti Spiritu) 2011 Simulation Dimensions variable edition 1/4 + 2 A/P
17	John Gerrard Infinite Freedom Exercise 5 - 17 July 2011 Brazennose Street Manchester city centre(Manchester International Festival)
18	John Gerrard One Thousand Year Dawn (Marcel) 2005 Realtime 3D, 117 x 68 x 53 cm variable
19	John Gerrard Solar Reserve (Tonopah, Nevada) 2014 Simulation Dimensions variable
20	John Gerrard Live Fire Exercise (Djibouti) 2011 2011 Simulation Dimensions variable edition 1/4 + 2 A/P
21	Jill Magid, Failed States My 1993 Mercedes Station Wagon, Armored to B4 Level, Parked at the Texas State Capitol, 2012, offsite installation; Photograph © 2012 CT
22	Jill Magid Failed States 2012 view of installation, Honor Fraser, Los Angeles; courtesy of Honor Fraser, Los Angeles
23	Trevor Palgen Torture Taxi: On the Trail of the CIA's Rendition Flights 2006
24	Trevor Palgen I Could Tell You But Then You Would Have to Be Destroyed By Me: Emblems from the Pentagon's Black World 2010
25	Trevor Paglen Code Names (installation view) Ongoing list of classified Military and Intelligence programs 2001 to present Dimensions variable
26	Trevor Paglen Symbology NOYFB Patch 4 1/2 x 4 1/4 inches 2006
27	Trevor Paglen Symbology Gustatus Similus Pullus Patch 4 1/2 x 4 1/2 inches 2006
28	Trevor Paglen Symbology Five Classified Aircraft Five fabric patches, framed 15 1/4 x 32 3/4 x 2 1/4 inches 2007
29	Trevor Paglen Symbology Volume III Twenty fabric patches 12 x 120 inches 2009
30	Trevor Palgen Symbology Volume I Twenty fabric patches 12 x 120 inches 2006
31	Trevor Paglen Symbology Five Classified Squadrons Five fabric patches, framed 15 1/4 x 32 3/4 x 2 1/4 inches 2007
32	Trevor Paglen COSMOS 654 through an Ice-Encrusted Camera, 2009, cprint, 121.9 x 152.4 cm; courtesy Metro Pictures, New York; Altman Siegel, San Francisco; Galerie Thomas Zander, Cologne
33	Trevor Palgen The Other Night Sky PAN (Unknown; USA-207) C-Print 60 x 48 inches 2010-11
34	Trevor Palgen The Other Night Sky STSS-1 and Two Unidentified Spacecraft over Carson City (Space Tracking and Surveillance System; USA 205) C-Print 48 x 48 inches 2010
35	Trevor Palgen The Other Night Sky KEYHOLE IMPROVED CRYSTAL from Glacier Point (Optical Reconnaissance Satellite; USA 224) C-Print 30 x 43 inches 2011
36	Trevor Palgen The Other Night Sky KEYHOLE 12-3/IMPROVED CRYSTAL Optical Reconnaissance Satellite Near Scorpio (USA 129) C-Print 48 x 60 inches 2007
37	Trevor Palgen The Other Night Sky Dead Military Satellite (DMSP 5D-F11) Near the Disk of the Moon C-Print 24 x 30 inches 2010
38	Trevor Paglen Workers Gold Coast Terminal; Las Vegas, NV; Distance –1 mile; 8:58 am, 2007; c-print, 76.2 x 91.4 cm; courtesy Metro Pictures, New York; Altman Siegel, San Francisco; Galerie Thomas Zander, Cologne
39	Trevor Paglen Large Hangars and Fuel Storage, 2005, c-print, 76.2 x 91.4 cm; courtesy Metro Pictures, New York; Altman Siegel, San Francisco; Galerie Thomas Zander, Cologne
40	Trevor Paglen Limit Telephotography N5177C at Gold Coast Terminal, Las Vegas, NV, Distance ~ 1 mile C-Print 40 x 50 inches 2007
41	Trevor Paglen Limit Telephotography Detachment 3, Air Force Flight Test Center #2, Groom Lake, NV, Distance ~26 Miles C-Print 50 x 40 inches 2008
42	Trevor Paglen Limit Telephotography Open Hangar, Cactus Flats, NV, Distance ~ 18 miles, 10:04 a.m C-Print 30 x 36 inches 2007
43	Trevor Paglen Limit Telephotography White Sands Missile Range, Alamogordo, New Mexico, Distance ~ 35 miles C-Print 48 x 60 inches 2012
44	Trevor Paglen Limit Telephotography National Reconnaissance Office Ground Station (ADF-SW) Jornada del Muerto, New Mexico C-Print 38 x 48.6 inches 2012